Hazey Eyes, Instupendo

Fri, March 2, 2018

Doors: 8:00 pm / Show: 9:00 pm

Rough Trade NYC

Brooklyn, NY

$12 advance / $15 day of show

Sold Out

This event is 18 and over

All Becomes Okay is the debut EP from shallou, the new project of musician and producer Joe Boston. Boston grew up in Rockville, Maryland, just outside of Washington, DC. He attended college in New Orleans, and then moved to Chicago, where he began making electronic music in his bedroom.

shallou has come a long way from the bedroom. “Begin,” the first single from All Becomes Okay, recently hit #1 on Sirius XM Chill. He has over 23 million total streams already on Spotify, including over 12 million on “Doubt (Summer Edit).” An excellent live performer, shallou has honed his craft across North America, touring with Petit Biscuit, Roosevelt, El Ten Eleven, and more.

All of this has shallou primed to break out, and All Becomes Okay is his first major move towards the mainstream.

An electronic album with an indie heart, All Becomes Okay is a stunning debut for shallou, a full artistic statement in five songs. Boston describes his music as “happy/sad,” and though that might sound like an oxymoron, it functions as a perfect descriptor for shallou’s brand of music, a dark and beautiful mix of ambient textures and dance rhythms.

Forgoing the easy crowd-pleasing ecstasies of typical electronic music, shallou aims for the mind as well as the heart. The EP is structured to be listened straight through as one complete piece of music, but the singles can stand easily on their own. All Becomes Okay is music made for headphones just as much as it is for the live show.

The title comes from living in a fearful world. “Working on this music alone, I’d get all in my head,” says Boston. “Watching the news with everything going on in the world, I developed all of these weird fears. ‘All Becomes Okay’ was kind of a mantra I wanted to repeat to myself and tell other people. It’s not a passive thing, but an active hope.”

That’s what “happy/sad” music means. It’s music that you can dance to, or you can listen to it alone in your bedroom. The music comes to you and meets you wherever you are. It’s a gift, a sliver of hope in a dark night, a moment of solace for all the thinkers and dreamers of the world.
Hazey Eyes
Hazey Eyes
There’s a certain power to music, a magic that allows the listener to be transported into a new place where their fears and needs are understood. It’s that spellbinding quality that’s at the root of Hazey Eyes and his new EP, ‘Some Reason’, a record that’s as much a comfort blanket as it is a cushion to sit back and reflect on past and future experiences.

Growing up between Philadelphia and New Jersey, the twenty-one year old artist is classically trained in a slew of instruments: from violin to piano to upright bass. “When I was a kid I hated practicing,” Thomas explains, but he was pushed onward by a musical family (his dad plays saxophone, clarinet and piano) eventually ending up being rated in the Top 5 players in his state.

Music began early for Hazey Eyes. As well as his work in the classical world, in high school he formed a heavy metal band. Though it’s a far cry from the subtle, relaxing sound he makes now, the name Hazey Eyes is a subtle nod to his heavier background – it’s taken from a lyric in the first chorus on Taking Back Sunday’s debut album.

Once high school was over Thomas moved to university, where he studied to become an electrical engineer. At this point the EDM bubble in the United States had yet to burst and he became entrenched in the burgeoning scene. “I started producing with my metal band but I didn’t try any other instrumentation beside guitar bass and drums. When I went to college I heard electronic music and it changed my palette.”

Though there are subtle nods to his electronic background in the music, Hazey Eyes sits in a place of his own – one of comforting reflection, somewhere between the hours when night time begins and the day ends, all compliment with strings hinting at his orchestral background. “Writing music is a way for me to blow off steam,” he says. “I come home from work and play the piano and see what comes out. I don’t open Ableton with a goal in mind. I think it’s really important to let my ears guide me.”

The result is an EP centered firmly in the realm of heartbreak. “It’s focused on relationships, the darker side of them,” Thomas says, hinting at each of the tracks on the record. “ If you know me personally I’m an upbeat person but this is the outlet for when I’m by myself, personal reflecting on things. It’s a little bit of reflection in the darkness.”

Completed with a selection of vocalists Thomas scouted out via Soundcloud – “I take pride in the random messages I send on there” – it’s a record of full vision, coloured with the shifting pain and revelation that comes with being heartbroken and left to pick up the pieces of something that’s been lost.

Title track “Some Reason”, featuring FEELDS, is at the root of the fall out. “Let something be my light,” he sings above a subtle rhythm that slowly builds into an emotional crescendo. It’s not exactly EDM as anyone has known it before, it’s a slightly different moniker: Emotional Dance Music. Finger clicks, synths, piano, cymbals, everything builds to the final statement: “for some damn reason”.

“My first EP I didn’t get a chance to work with any vocalists,” Thomas says of his decision to bring singers on board. “I’m a lot more interested these days in the whole meaning of a song, the story they have and the message they can portray.” As the EP builds we begin to get a sense of the changing emotion with third track “Skyline” seeing singer Claire Ridgely ask to be “lifted up above the skyline”. It’s a uniquely euphoric moment, tinged with the sadness of the past and a desire to be moved forward. Meanwhile closing track “Run For” – which Thomas created on Christmas Day and features Violet Skies – ends with a satisfying and triumphant conclusion, a powerful knowledge about a relationship’s end, sandwiched between orchestral strings.

Life can often throw curveballs, upending a once-pleasant situation and clouding it with darkness. In these times the music of Hazey Eyes is important: a way to feel less alone, to reconsider things, to even find a kind of happy solace in the sadness – all of which is important to move forward. Part of that comes from his heavy metal background, some of it comes from his dabbling with EDM. Ultimately however, this is a new sound, a new feeling – a fresh light on the world.
Philadelphia electronic artist Instupendo floats into earshot with original downtempo compositions that listeners say they turn to when they feel, or want to feel, a certain way. Simultaneously euphoric and melancholy, his distinctive sound has been described by Dancing Astronaut as “something akin to taking Tycho’s work, incepting it into a dreamscape, and slowing it way down”, while The Deli Magazine called it “lucid while out of focus; a silken and ethereal logic operating somewhere in the space between trap and ambient.”

Like many of his peers, Instupendo (aka Aidan Peterson) got his start as a pre-teen on Soundcloud, organically building a fanbase and network of collaborators before venturing onto commercial streaming services in 2016. Within months, his single “Beauty Unit” was featured on Spotify’s Fresh Finds and subsequently charted on Billboard’s Spotify Viral 50. Successive singles, including ”Falling”, “Light Lock”, and “Comfort Chain” secured additional playlist placements and blog attention.

2017 saw Pigeons & Planes naming him an essential rising artist to watch, and Cosmo’s Midnight tapping him to remix their hit “History”. The resulting minimal emotional ballad transformed the funky R&B original. Instupendo followed up with his debut EP “Friend of a Friend”, featuring collaborations with artists Lontalius and Benny Sings. Nest HQ dubbed the EP “an emphatic assertion that Instupendo’s time has arrived.” The 17 year-old producer concluded the year with a remix of Grammy-winning remixer RAC’s “Unusual feat. MNDR” which promptly charted at #1 on Hype Machine’s remix chart and landed atop Apple Music’s global Today’s Chill playlist.

He's presently working on new material. Anticipated in early 2018, these new tunes find Instupendo heading in exciting directions within his signature sound palette.
Venue Information:
Rough Trade NYC
64 N 9th St
Brooklyn, NY, 11249